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| Rustlings at the horizon: an Oscillatorial Binnage rehearsal |
For those who may have forgotten, Oscillatorial Binnage is a London-based experimental improvisation group containing Fari Bradley, Toby Clarkson, Chris Weaver and Daniel Wilson (this blog's humble author). We employ a wide range of soundmaking techniques, from room feedback tones to stick-zithers; from touch contact cutlery to electromagnetic eavesdropping upon digital cameras. Recently,
FACT Magazine described us as creating "
abstract noise from found objects and metal attacked with electromagnetic force-fields". Indeed, this is our current modus operandi - it forms the basis of our long-awaited '
Oscillations: Post-Electronic Music' LP recorded in France a few years ago, employing the 'post-electronic' acoustic synthesis technique which we began to experimentalise in 2005, and which I pursue tirelessly here on this blog and wherever else I'm permitted to aerate. In Oscillatorial Binnage, our individual explorations upon these instruments coalesce into living, breathing dronescapes from which rhythms and harmonies resound whenever the much-sought
emergent states are achieved.
For more than a year, half of Oscillatorial Binnage (that is,
Chris Weaver and Fari Bradley) have been engaged in an extended residency in the United Arab Emirates (where they have lectured, performed, released their '
Systems for a Score' LP, and built installations). Their absence had muted Oscillatorial Binnage operations somewhat. In the interim, Binnage member Toby Clarkson produced his feature length documentary '
Little Tsunamis', and I released
an album that attempted to embody thoughts within tuning systems. At long last - this month Oscillatorial Binnage are back together once again. A new gig this Tuesday June 13th at the
Ikectik Art Lab - our first for a long time - promises to herald the upcoming release of the '
Oscillations: Post-Electronic Music' LP on
Ash International later this year. Our rehearsals have brought to light paradigm-shifting new sounds occupying realms between noise and tone; midway between percussion and harmony. All puffery aside, the 13th promises to be an exquisite evening.
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| Oscillatorial Binnage's Chris Weaver coaxing emergent tones from electromagnetic gubbins |
This event is the second in
Resonance Extra's Extra Nights live broadcast series at Iklectik (the first of which was Milo T-M's groundbreaking '
Myrmomancy Music' last month [for which I was honoured to build viewing cases for; boxes within which live ants roamed]). Dauntingly (for us), our upcoming Oscillatorial Binnage meditation/exposition at Extra Nights #2 will be shoulder-to-shoulder with greatness: it boasts the wonderful Lepke B. with his idiosyncratic sonic gobsmackingness, whilst the bill is helmed by US maestro and hardware hacking proselytiser
Prof. Nic Collins, who gives a rare performance here in the UK. Incidentally, a 'post-electronic thumb piano' - as used in Oscillatorial Binnage - is featured in Collins' landmark tome '
Handmade Electronic Music'. Collins himself is no stranger to electromagnetic actuation - his
backwards electric guitar virtually established the practice. His performances are always engaging, instructive and entertaining. So come see these wonders at
Iklectik this Tuesday 13th June : Iklectik, 20 Carlisle Lane, London SE1.
