As part of Resonance 104.4FM's broadcasts from Raven Row, a show I produced, voiced by Will Luscombe (of the exquisite Luscombe's Choice), will be aired on Friday 17th June, entitled 'The Philosophy of Mediadropping'.
'The Philosophy of Mediadropping' is a relentless musing on the practice of mediadropping - the dropping of home-made CDs, DVDs, tapes, books, manuscripts, etc. in public places for random people to find.
Mediadropping is a pathological habit of mine. My old Resonance show, 'The Exciting Hellebore Shew', documented many mediadroppings in detail (or tapedroppings as I referred to them back then, as cassette was the weapon of choice). Special 'music' was consigned to cassette or CD-R and scattered hither and thither. Over time, an instrumentarium was built up specifically geared toward sonically shocking unsuspecting mediadropping recipients.
Mediadropping may be seen as a physical analogue of the 'crapflooding' and 'trolling' phenomena of the internet age, but this is a debatable comparison to be treated in a later posting here. In the meantime, tune in to catch 'The Philosophy of Mediadropping' and hear Luscombe's voice fed through a sawn-off trolley and a garage door. Feel the cassette-grot erode your tolerance threshold.
Thursday, 16 June 2011
Tuesday, 14 June 2011
Welcome
Please make yourself at home. Hopefully you'll find some interesting or inspiring nuggets here.
Someone told me that I should be more proactive in advertising my activities. Blogsmanship was suggested as a partial solution to the debilitating malaise instilled through studying Sonic Art. For further details of this condition, see my article 'Sonics in the Wildernesses - A Justification' (published in the April 2011 issue of The Brooklyn Rail). It's a rather whinge-heavy text, but should provide some orientation.
More postings to follow...
Someone told me that I should be more proactive in advertising my activities. Blogsmanship was suggested as a partial solution to the debilitating malaise instilled through studying Sonic Art. For further details of this condition, see my article 'Sonics in the Wildernesses - A Justification' (published in the April 2011 issue of The Brooklyn Rail). It's a rather whinge-heavy text, but should provide some orientation.
More postings to follow...
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